DRM vs. fair use, and why youre caught in the crossfire PDF Print
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arstechnica: If Black Friday and Cyber Monday didn't sate your shopping hunger this holiday season, Wired Magazine can think of one more reason to go on a consumer electronics shopping spree, and soon: "2005 might be the last good year to get gizmos that aren't locked down." They are, of course, referring to the ongoing efforts by the RIAA and the MPAA to plug every last leak in their safeguards against unauthorized use and copying of their precious content. For fear of lawsuits or in anticipation of coming legislation, our gadgets are dropping consumer-friendly features—like copying media off of a ReplayTV box or ripping backups of retail CDs—at an alarming pace. We're right in the middle of a paradigm shift for the entertainment industry, and the big players are responding to the changes the only way they know how, which is to tighten their grubby little fists around what they consider their greatest treasures. If you buy Neil Diamond's 12 Songs, Sony BMG wants to tell you how and where you can play it, if at all.

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