| Big Musics Way-Way Factor |
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The above is from a Reuters/Billboard
story that goes on, Apple's successful combination of sexy design and
elegant usability has propelled the iPod to the top of the digital
music market as the undisputed king. Every move Apple makes these days
results in victory. As the rest of the flash-player market floundered,
Apple took over the category in a day with the release of the iPod
Shuffle. It turned podcasting from a cool-sounding technology that
nobody used to a legitimate format
That
podcasting was a "cool-sounding technology nobody used" is, of course,
rubbish. But that today, Apple commands 80 percent of the MP3 player
market and 75 percent of online music sales is inarguable, although,
many believe Apple's reign will last only another 12-18 months before
the playing field levels out. Privately,
record company executives say they can't wait, the item goes on. Not
because they want to see Apple stumble but because a less dominant
Apple means a more robust market for digital music. The company by
itself cannot bring digital music to account for 25 percent of all
music sales, as labels hope it will by 2009. Apple
points to the 500 million tracks downloaded on iTunes to date as a
milestone, says Reuters/Billboard. But dividing that figure by the
more than 20 million iPods sold indicates that each iPod owner has
bought an average of fewer than 30 songs from iTunes. Piper Jaffray
estimates that only nine tracks are bought per month per iPod user. 'Dont amount to anything' The truth is: the corporate online music services aren't even noticeable in online music events. Compare the 500,000 million Apple downloads (which don't necessarily amount to total sales) accrued since 2003 to the fact that well over a billion files are shared online every month. In July, 2005, alone, in the US an average of 6,872,768 people were logged intio the p2pnetworks at the same time. Globally, the number was 9,496,203, says p2p research firm BigChampagne. And here, hot off the presses, are BigChampagne's numbers for August so far:
And yet Big Music continues to claim, and the mainstream media continue to repeat, that its sue 'em all marketing campaign is resulting in "significant" reductions in the number of people who are sharing files with each other. Moreover, the way in which the cartels continually refer to iTunes as an example of what's possible for the so far virtually non-existent coprporate music services is in and of itself something of an innacuracy. iTunes
isn't a dedicated music service, and nor was it ever meant to be. It
started out as a loss-leader for iPod and although it's now making
money, it's doubtful if current sales do very much more than cover the
many and various costs. It would be educational to see the figures
stacked against downloads from the p2p networks. Because even at 500
million, they clearly dont amount to much. And one should remember
that Apple started the count as far back as 2003. Meanwhile,
music lovers in their hundreds of millions use commercial and
non-commercial peer-to-peer file sharing applications to acquire mp3s,
condensed tracks derived from music thats already been bought and paid
for via CD and DVD sales. Mp3s are no use for hi-fidelity home systems, but theyre fine for low-end, lo-fi reproduction on mobile players. But this doesn't mean sales are being lost. A shared file is a shared file, not a stolen one. There's no money invovled and nor are people who use the p2p applications criminals, as the members of the Big Four music cartel, EMI, Sony BMG, WMG and UMG (who themselves have repeatedly been found guilty of cheating their contracted artists) charge. 'Non-MP3 world' "The
mass market still is entrenched in a non-MP3 world," Piper Jaffray
senior research analyst Gene Munster is quoted as saying. "Until that
changes, there's just too few iPods out there to move the needle for
the overall music industry." However, iPods are not, of course, the key, or anything like it. "Some people at labels are acting like all this is over because Apple has it, the story has Gartners Mike McGuire sayibg. But,
"There's a whole lot of green field out there. Guys, 98 percent of
music purchases (are) still coming from somewhere other than online." Flexible pricing
Label
sources say Apple stubbornly disregards their suggestions for drawing
in new digital music customers, the story states. They say they would
like more flexibility on track pricing and promotions. But more than
anything, labels want to see the iPod become interoperable with music
services other than iTunes. For flexible
pricing, you need flexible wholesale rates which currently start at 65
cents per track and go up. And were told the members of the Big Four
record label cartel would like to see them go even higher, to $1.25
cents per and beyond. If Apple indeed has
only 12-18 months of market dominance left, Anticipated [new]
developments include a music subscription service and subsequent
advertising blitz from MSN Music, the long-anticipated relaunch of the
Sony Connect store, several new MP3 devices and the introduction of
mobile music services from several wireless carriers, says the
Reuters/Billboard piece, adding. No one
assumes Apple will go without a fight. It is expected to introduce a
video-capable iPod in September and finally unveil its
iTunes-compatible mobile phone with Motorola. It is also rumored to be
working on a subscription service with the help of a former Xbox Live
executive. " They have shown, based on prior
performance, that they have the capability to remake themselves,
McGuire says. They have the flexibility to seize opportunities as
they're presented." Add your comment
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